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Unnamed attendant and Henry Darnall III (1702-ca. 1787)

Description

An enslaved child valet, not identified by name, wears a tawny jacket and white shirt with a silver collar around his neck. The boy-child is pictured attending to his enslaver, a young Henry Darnall III (c. 1702 – c. 1783), who is dressed in a yellow-orange tunic with green cape holding a bow and arrow. Darnall is depicted as approximately 8 years old, the enslaved boy looks of similar age or younger.

Throughout colonial British America, it was common for enslavers to purchase silver collars, like the wide collar worn by valet in this image, engraved with the enslavers' name and address to be worn at the neck by people they held in bondage. The dead bird that the enslaved boy holds in his right hand—presumably killed with Darnall's bow and arrow—is another marker of the servile status inflicted on the unnamed child. His placement behind the balustrade is intended to reinforce an inferior position to his enslaver, Darnall.

Date

circa 1710

Materials

Oil on canvas

Dimensions

54 3/32 x 44 11/64 in

Object ID

1912.1.3

Accession Number

1912.1

Resource ID

5029

Notes

This painting was featured in the groundbreaking exhibition, Mining the Museum, curated by Fred Wilson, and presented at the Maryland Historical Society (now Maryland Center for History and Culture) in 1992. Wilson recentered the viewers focus on the young child attendant, asking “Am I your friend? Am I your brother? Am I your pet?” HIs reframing of traditional narratives spurred new scholarship and curatorial practices, challenging the modern viewer to look closely at the figures that had remained nameless and sidelined from interpretation.
Important historical context provided by Katie Campbell and Johnathan Michael Square.

Credit Line

Bequest of Miss Ellen C. Daingerfield

Digital Publisher

Digital resource provided by the Maryland Center for History and Culture

Rights

This digital image is made available here for private study, scholarship, and research. Commercial and other uses are prohibited without the permission of the Maryland Center for History and Culture. For more information, visit the MCHC’s Reproductions and Permissions web page.